“Have you heard from Arthur?” he asked, suddenly turning to her. Man had heard God’s voice across the deep, and had made answer.!

Suddenly he broke off. “What a fool I’m making of myself,” he said. “I always was a dreamer.” What was she to do? Drag the woman back to life against her will—lead her back to him to be a chain about his feet until the end? Then leave him to fight the battle alone?

And as he talked and dreamed there grew up in her heart a fierce anger. What would her own future be? She would marry probably some man of her own class, settle down to the average woman’s “life”; be allowed, like a spoilt child, to still “take an interest” in public affairs: hold “drawing-rooms” attended by cranks and political nonentities: be President, perhaps, of the local Woman’s Liberal League. The alternative: to spend her days glued to a desk, penning exhortations to the people that Carleton and his like might or might not allow them to read; while youth and beauty slipped away from her, leaving her one of the ten thousand other lonely, faded women, forcing themselves unwelcome into men’s jobs. There came to her a sense of having been robbed of what was hers by primitive eternal law. Greyson had been right. She did love power—power to serve and shape the world. She would have earned it and used it well. She could have helped him, inspired him. They would have worked together: he the force and she the guidance. She would have supplied the things he lacked. It was to her he came for counsel, as it was. But for her he would never have taken the first step. What right had this poor brainless lump of painted flesh to share his wounds, his triumphs? What help could she give him when the time should come that he should need it? Flossie’s young man was standing near the fire talking, or rather listening, to a bird-like little woman in a short white frock and blue ribbons. A sombre lady just behind her, whom Joan from the distance took to be her nurse, turned out to be her secretary, whose duty it was to be always at hand, prepared to take down any happy idea that might occur to the bird-like little woman in the course of conversation. The bird-like little woman was Miss Rose Tolley, a popular novelist. She was explaining to Flossie’s young man, whose name was Sam Halliday, the reason for her having written “Running Waters,” her latest novel. “It’s a noble ideal,” he said. “La Patrie! The great Mother. Right or wrong, who shall dare to harm her? Yes, if it was she who rose up in her majesty and called to us.” He laughed. “What does it mean in reality: Germania, Italia, La France, Britannia? Half a score of pompous old muddlers with their fat wives egging them on: sons of the fools before them; talkers who have wormed themselves into power by making frothy speeches and fine promises. My Country!” he laughed again. “Look at them. Can’t you see their swelling paunches and their flabby faces? Half a score of ambitious politicians, gouty old financiers, bald-headed old toffs, with their waxed moustaches and false teeth. That’s what we mean when we talk about ‘My Country’: a pack of selfish, soulless, muddle-headed old men. And whether they’re right or whether they’re wrong, our duty is to fight at their bidding—to bleed for them, to die for them, that they may grow more sleek and prosperous.” He sank back on his pillow with another laugh.